Friday, September 28, 2012

Human Faces of \'The Backlog\' at the Department of Veterans Affairs

By THE NEW YORK TIMES

It's a story about putting faces to numbers. In his Page 1 article in today's paper James Dao (@jimdao) lays out:

The Numbers:
  • The Department of Veterans Affairs has grown into a behemoth with more than 270,000 employees who maintain 131 cemeteries, operate 152 hospitals and disburse benefits to more than four million veterans.
  • Last year, veterans filed more than 1.3 million claims, double the number in 2001.
  • The Department of Veterans Affairs added nearly 4,000 new workers since 2008, but the agency has completed less than 80 percent of its inventory.
  • The Department of Veterans Affairs completed one million claims for the third consecutive year.
  • The average claim takes eight months to process - two months longer than a decade ago.
  • 890,000 pension and compensation claims are currently pending.
  • By 2013, the department's major benefit programs are projected to cost about $76 billion, triple the amount in 2001.
  • By 2022, those costs are projected to rise nearly 70 percent to about $130 billion.
And, the Faces:
  • Dennis Selsky: Served in Vietnam and has multiple sclerosis. He has waited 15 months for his claim to be processed.
  • Doris Hink: Widow of a World War II veteran. It took nearly two years to process her claim for a survivor's pension, costing her daughter $12,000 in nursing home bills.
  • Mickel Withers: Iraq war veteran with severe post-traumatic stress disorder. His disability compensation was cut by $3,000 after a bureaucratic foul-up.

Mr. Dao writes:

These are the faces of what has become known as “the backlog”: the crushing inventory of claims for disability, pension and educational benefits that has overwhelmed the Department of Veterans Affairs. For hundreds of thousands of veterans, the result has been long waits for decisions, mishandled documents, confusing c ommunications and infuriating mistakes in their claims.

Read the full story here.

Mr. Dao also wrote a companion piece on the Department of Veterans Affairs' hopes for a digital fix to “The Backlog” - read it here.



Project Basement: Receiver Connectors Rule

By ROY FURCHGOTT

Shopping for a receiver used to be a pretty simple matter. You listened to those in your price range and bought the one that sounded best.

But now there is a whole new dimension to consider: connectivity.

I have been dragged into a receiver upgrade by replacing my 12-year-old standard-definition TV with an HD model. I didn't mind that my old receiver couldn't send onscreen volume controls and such to the new TV or let me easily watch Internet video. But when studios started pulling shows from cable and satellite providers in contract battles, I decided I needed to future-proof my setup, and that meant Internet connectivity.

That makes picking a receiver far more complicated than it used to b e.

The receiver no longer just amplifies sound from a couple of sources and sends it to a pair of speakers. Now it's the Grand Central Station of the home theater. It routes audio and video signals from a half-dozen devices, takes signals from others wirelessly, connects with the Internet and improves  the sound and picture before sending them to six or more speakers.

So now the first concern is what connections the receiver can handle, and how many will I need? I know, I know, what about sound quality? Sadly, great sound won't do much for devices you can't plug in, so now the process of elimination starts with plugs.

Chiefly, that means HDMI plugs (High-Definition Multimedia Interface, in case you were wondering), a connection that can transfer high-quality audio, video and data signals.

How many do you need? I figured on two, one for my satellite TV box and one for a Blu-ray player. But I am trying to future-proof. What if I want an online service not offered through my DVD player? I might need a Roku or Apple TV box. What if I want to take up gaming on a Wii or Xbox? That's four. How many slots will I need for devices not yet invented? It seems like a safe number is five, though six gives more breathing room.

What wireless connections will I want? Wi-Fi, probably. Bluetooth? I don't see any use, but hey, future-proofing is about trying to prepare for things you don't anticipate. Apple AirPlay? Why not?

One thing I absolutely want is a receiver whose software can be updated to add features or fix problems.

With that wish list, I could begin narrowing that receivers I want to listen to.

I do have one problem that won't affect most buyers. My cabinets are 17 inches deep â€" exactly the depth of many top models of receivers. Once I plug anything into the back of a receiver that size, I won't be able to shut the doors. So I need to look at the lower end of those model ranges, where the receivers ar e closer to 14 or 15 inches deep.

That's all fine with me - it puts me in a price range of $500 to $650. That's less than I have spent in the past, but with the speed at which I am turning over equipment, I'd rather spend less now and not feel bad about upgrading in less than 12 years next time.



Q&A: Asking Siri - the Right Way

By J.D. BIERSDORFER

I just upgraded to iOS 6 on my iPad and am trying to get used to using the Siri assistant. Is there a correct way to ask for stuff?

Siri, Apple's virtual assistant program, which first appeared on the iPhone 4s last year, works with a number of apps on the iPad. The programs that can be commanded by Siri include the Maps app, the Safari Web browser, the Notes program and the Messages service. As you may have seen from television commercials, you can ask Siri about things like sports scores and weather.

Apple has a Frequently Asked Questions page with more information about working with Siri so you can get the most out of the program. As you use Siri, you need to supply certain bits of informati on to make things more efficient later on. For example, the first time you tell Siri to start a FaceTime video call with your brother, the program will ask you to identify your brother and his FaceTime contact information.

But you can look within Siri for answers as well. The next time you hold down the iPad's Home button to summon the assistant, tap the small “i” in the box above the microphone icon. Siri pops up a list of the functions it can perform, as well as examples of how to ask for things.



App Smart Extra: More Help Remembering What To Do

By KIT EATON

This week's App Smart column talked about apps that help you organize and remember important tasks. Smartphones are great for storing to-do lists and reminding you of the items on them, a big help  if, like me, this is something you're not very good at naturally.

Here are some additional apps and systems on smartphones you can use.

One I use is Apple's voice-recognition assistant Siri. It's easy to ask Siri to, for example, remind you to book a table for dinner on Thursday. It's even smart enough to remind you to buy milk when you arrive at the supermarket - as you drive up to the store, your iPhone will chime to remind you. All the reminders are listed in the Reminders app on the phone, and though it's not as sophisticated as dedicated to-do list apps, it's powerful enough for a short list of daily tasks.

You can even set Siri up so it activates automatically when you put the phone to your ear - perfect if you suddenly remember an important to-do item that needs a reminder.

Gtasks, free on Android, is a front end for Google's own Tasks app. It may appeal to you if you're a fan of Google's Web apps for home or business use. It is similar to many other to-do apps on smartphones, but it has the obvious benefit of  hooking directly into your Google account so you can the see your data on your PC.

And if you're a fan of doing things the old-school way, you can always fire up a note-making app on your iPhone or Android device and type in a to-do list. Once you've done each task, you can delete it or mark it with a star or in some other fashion. These apps aren't going to sound an alarm to remind you of an item, or keep track of time for you, but you may find that their more labor-intensive nature helps ingrain the list in your memory.



Thursday, September 27, 2012

Syrian Rebels Take Their Battle to the Skies

By THE NEW YORK TIMES

In an article published in The New York Times on Thursday, C.J. Chivers (@cjchivers) wrote about the battle for Abu ad Duhur, an air base south of Aleppo, Syria. Rebels have targeted the base to keep its planes from going out on missions. Rebel forces have been trying for months - at times claiming success - to shoot down government planes and helicopters in midflight.

Air power has been a substantial advantage for President Bashar al-Assad, even as the lengthy conflict has limited the potency of some of his most powerful weapons.

Mr. Chivers writes of the rebels' success at Abu ad Duhur:

They have downed at least two of the base's MIG att ack jets. And this month they have realized results few would have thought possible. Having seized ground near the base's western edge, from where they can fire onto two runways, they have forced the Syrian Air Force to cease flights to and from this place.

“We are facing aircraft and shooting down aircraft with captured weapons,” said Jamal Marouf, a commander credited by the fighters with downing the first MIG-21 here. “With these weapons we are preventing aircraft from landing or taking off.”

This is a significant setback for the government in the northern region, where rebels had already strengthened their position with homemade bombs, making roads too perilous for military vehicles to pass and restricting the military's movements.

Read the full article here.



It\'s Time to Talk About What Troops Leave Unsaid

By JONATHAN RAAB

Sometimes we think it's better to linger in silence, hoping that our problems will go away.

But when we don't talk about our problems, they get worse. And we get worse, too â€" by pushing the worries to the side and to the back, next to those boxes of painful memories and dusty, misremembered oaths. You know, those promises to remember? To support? To care?

Well, look at the calendar. I guess now's as good a time as any to talk about some of the problems we're ignoring.

On this, my second deployment with the Army, my responsibilities as a squad leader include supervising and guiding nine other soldiers, all of whom are on their first overseas mission.

< p>Here in Kuwait, life is simple. We're infantry, so being safe, bored and forced to wear silly yellow reflective belts rankles us. But our unit has done well, considering multiple mission and leadership changes (Afghanistan … canceled! Kuwait … canceled! Afghanistan again … canceled again! Kuwait … yup, Kuwait!) over the past year. But now, with less time ahead of us than behind, we're facing a new set of challenges.

Specialist “Ponch” is one of my soldiers. He's approaching 30 and is popular with the platoon, and has a great sense of humor. Our duties here include spending long hours checking IDs or searching vehicles; this gives us plenty of time to joke around and talk about going home. Home is always on our minds. Home is something that seems less distant and more real every day.

We were sitting in a guard shack, waiting for vehicles to search and IDs to check.

“I have this recurring nightmare where I go home and can't find a job,” Ponc h said, shaking his head and staring wide-eyed at the simmering Kuwaiti desert. “I go back to my job and it's not there for me. Nobody can help me. I need to take care of my dad, of my girlfriend. And I can't. It's scary, man.”

I started laughing immediately. Understandably, this may seem like the wrong response to such a serious proclamation.

“What, is that crazy?” Ponch asked. “It's crazy, isn't it?”

“No,” I said, catching my breath. “No, you're not crazy. I'm laughing because it's true. We're all dealing with that. I have the same worries, man.”

“Oh good,” he said. “It's just good to know that someone else is thinking about this stuff, too.”

“Exactly,” I said. “Maybe we should be worried about this.”

Deployed troops often experience extreme hardship, but we are also often afforded a reprieve from the hidden demands of the seductively “soft” civilian life. That is one reason why so many troops choo se to re-enlist or extend deployments. Even in Afghanistan, I could forget about the troubles of home: the bills, the struggle to get ahead or just to stay afloat, the social pressures, the drumbeat of a million tiny anxieties.

Like so many of our problems, sometimes it's better just not to talk about it.

That's especially true when the reality of home is that you have become invisible, and your work, your profession and your entire way of life are suddenly of little consequence to the average American. Not talking or thinking about that leads to your staying away longer, because being gone (and you are gone, aren't you?) is suddenly a more attractive option.

It's better not to talk about it when home is where your friends and family who didn't bother to write, e-mail or call for months at a time suddenly want to ask you deeply personal questions about traumatic experiences. Home is where you find your job is gone. Home is where you find your apartment or h ouse empty, save for a few boxes and the dusty footprints of the one who left you. Home is where you interact with your spouse and children with desperate periods of horrible silence.

Home is where the two men running for president, and most of the media around them, share that same horrible silence when it comes to the war, or to the missions that support that war, or to your role and place as a soldier and a citizen within the machine, within but on your way back out, returning to a place and a people you remember vividly but would now hardly recognize.

This is uncomfortable, isn't it? Then I guess we'd better start talking.

Being in the military is often an exercise in the surreal. The process of unreality begins in basic training, continues through your training and deployment, and peaks when you emerge on the other side with a DD-214 in your hand and years' worth of (good, bad, painful, confusing, conflicted, devastating, frustrating, bitter, proud) me mories in your head. The surreal is no longer the drill sergeant smoking you for eating a cookie, the officer ordering you to build a doggie door for his unauthorized pet or picking up the last unit's garbage in the Mojave Desert for four days straight.

The true surreal is watching the political process play out on brightly lighted screens showing dull-eyed commentators and analysts. The surreal is trying to connect with people back home â€" people who love you, people who like you, people who have put you out of their minds.

The surreal is hearing those dusty words and phrases like “9/11” and “Never Forget” and trying to rationalize how, a decade on, what you are doing and what the competing candidates are not saying about what you are doing can possibly relate to that day not so very long ago.

The surreal is finding that when you do go home again, you see, hear and feel nothing that pertains to you, your service or your worries (nightmares). Every one has tuned you out. Society sees you on the screen, but in the corner there's a bright green word that reads “mute,” even though inside your own head the volume is cranked to the max. Then there's a flip of the channel, a press of a button, and we're back to talking about whatever it is that is not what we are not talking about.

This is uncomfortable, isn't it? Then I guess we'd better start talking.

Like the returning veteran, the average citizen sees a world that quickly changes and is often frightening. Our future, both as individuals and as a nation, is uncertain because we often refuse to critically evaluate the motivations and decisions that brought us to these points.

What are the merits of staying in the military? What are the merits of transitioning out? What are the merits of staying in Afghanistan? What are the merits of leaving? What are the consequences of our decisions, of our inaction, of our over-reactions? Why have our military and s ocial strategies brought us to these points? Why have we tolerated this state of affairs?

What do we owe our veterans, those at risk for suicide, our troops overseas, or the people who died because of the actions of terrorists so many sad Septembers ago?

Is it better not to talk about it? Because that's the message we're sending ourselves. That's the message we're sending Specialist Ponch. That's the message that we're sending the retiring sergeant major driving out of Fort Bragg for the last time, the terminal lance corporal shaking the sand from his M.C.U.'s as he packs for home, the transport pilot setting a course for the States, the junior petty officer putting his back to the sea and his eyes on the road ahead.

These questions deserve answers. They deserve thoughtful responses. They â€" we â€" deserve a conversation, a debate, a consideration. Ignoring the war â€" ignoring us, or ignoring our fears about veterans' returning home to unemployment or iso lation or alcoholism or substance abuse or a million other demons â€" does our nation no good.

So let's talk about these things, O.K.? But don't be freaked out if we laugh.

That just means we're relieved to know that we're not the only ones worried.

Sgt. Jonathan Raab is a veteran of Operation Enduring Freedom and a spokesman for Iraq and Afghanistan Veterans of America. He is currently serving in Kuwait with the New York National Guard. He lives and writes in Rochester, N.Y.



Tip of the Week: Checking the Mail Service

By J.D. BIERSDORFER

Web-based mail services like Google's Gmail or Microsoft Hotmail/Outlook.com can keep you up to date with e-mail and online calendar services wherever you can get an Internet connection. These sites may have occasional technical trouble that can prevent you from getting your messages. If your mailbox seems suspiciously quiet for a period of time, you may want to check the status of your mail service to make sure it is up and running.

Most major sites have a status page that shows if Web-based mail and other services are functional and can sometimes provide information on the nature of the problem. Gmail users can check the Google Apps dashboard for service notes, while Hotmail/Outlook.com users can g et information at https://status.live.com. Apple has a similar status page for its iCloud suite of services. For Yahoo - and other popular sites like Facebook, Twitter and Foursquare - the Down Right Now site collects crowd-sourced reports and official announcements and displays a list of potential service disruptions around the Web.



Q&A: Getting Around the WWW

By J.D. BIERSDORFER

Why do some Web addresses begin with “http://www” while others omit the “www” altogether?

A Web address is made up of different parts. Moving backwards from right to left in the address www.nytimes.com, the “.com” is the top-level domain name, and refers to the type of site. (The popular “.com” name was originally intended for commercial sites, while “.edu” is for educational institutions, and so on.)

The middle part of the address, “nytimes” is the unique domain name for the site. Domain names need to be set up with an official registrar so they work with the Internet's Domain Name System; the HowStuffWorks site explains how all that works here.

The “www” is a subdomain, a specific area within the domain, but not all sites will use it. If the address works with or without the “www” prefix in the address, the site's administrator has mapped things out so that both addresses point to the location of the server's Web content. If the site has not been configured to automatically serve up the pages if you leave off the “www,” you usually get a message saying the site cannot be found. In that case, you need to type in the “www.”



Wednesday, September 26, 2012

Trainers in Afghanistan Arm Themselves Against Both Sides

By THE NEW YORK TIMES

In The Times today, Matthew Rosenberg (@mrosenbergNYT) reports from Bad Pakh, Afghanistan, on the new protective strategy used by military advisers to the Afghan Army: keep body armor on and weapons loaded, all the time. He writes of the advisers in a base in Bad Pakh: “Their guard was up even though they were there for a day of training Afghan soldiers without once leaving the confines of a fortified base - even when chatting with the Afghan officers over a lunch of goat meat and yogurt.”

The precautions come after a spate of attacks on American and allied troops this year. In reaction to the attacks, coalition forces have sharply reduced joint operations with Afghan troops, but the end of the American troop “surge” means that remaining forces must focus on preparing Afghans to fight on their own.

But Mr. Rosenberg reports that the tensions - even at this one base - seem to be running high, at least accor ding to some of the Afghan soldiers there:

“They come here and they look like they are going to fight us,” said Sgt. Abdul Karim Haq, 25, an Afghan soldier at the outpost. “They are always talking down to us like we are little children.”

Read the full article here.



Your Chance to Appear on \'Sesame Street\'

By WARREN BUCKLEITNER

Watching TV is old news. Now it can watch you back, provided you have one of two new titles in stores: Kinect Sesame Street TV or Kinect Nat Geo TV ($30 each, from Microsoft Studios).

The catch is that you need Microsoft's $250 Xbox 360 Kinect video game system to make them work. Each title bundles television episodes from the 2011-12 season with games that invoke Kinect's motion-sensing camera and microphone. Additional episodes, offered for sale from the main menu, cost $5 each and require both an Xbox Live account and free hard disk space.

The Sesame Street package contains two themed disks on growing up and science. Each disk contains four 30-minute episodes of the show. After you move your coffee table to the side and calibrate your Kinect, you'll see yourself inside an on-screen mirror with Elmo or Grover, who might ask you to jump to shake coconuts from a tree or wave to pop the bubbles floating on the screen. There's no shortage of counting, sorting and waving, as you might expect.

In the Nat Geo title (also two disks with multiple episodes), you can explore the American wilderness with Casey Anderson, a wildlife expert, by shouting at the Kinect microphone, or become an onscreen bear with head and paws. You earn points by scratching rocks to scare up moths, snapping them from the air with your mouth. A second player can jump in simply by entering the camera's field of view, making this an excellent social experience. If you step out of the room or just get tired, your Xbox waits for about 45 seconds and then starts churning through the episode on autopilot. Call it the couch-potato mode.



Tuesday, September 25, 2012

Radio-Tagged Socks for the Obsessive

By ROY FURCHGOTT

How do you know when you have slipped from detail-oriented, past anal-retentive, all the way to obsessive-compulsive?

You might be an extreme case if you can't wait to get your hands on Plus+ socks from Blacksocks, a Swiss company that attaches a radio ID tag to its socks so you always put the correct pair together. Apparently this is something of a problem for people who wear nothing but identical black socks.

“The thing is, when you buy them, first they are exactly the same,” said Samy Liechti, founder of Blacksocks, in a call from Zurich. “But what people do is they take out the socks in the drawer at the front.” As some socks get washed more than others, they start to fade, and thus cu stomers no longer have perfectly matching socks.

Blacksocks spent two years developing a solution, Mr. Liechti said. The result is a kit containing 10 pairs of socks and an RFID reader for $190. The reader connects wirelessly via Bluetooth to an iPhone, where an app can tell you exactly which socks mate. It also helps track how many times each sock has been washed, and it has a “blackometer,” which uses the phone's camera to read how black your socks really are.

As with any high-tech project, there were challenges in development. First was how to get an RFID signal to the iPhone. The answer was the Bluetooth-ready reader. The blackometer was a bigger problem. Differences in room lighting caused the readings to fluctuate. The solution was to use the phone's camera to take a light reading first, which is then used to calibrate the blackometer before it takes its measurement.

The socks are 81 percent Peruvian pima cotton, 18 percent polymer and 1 percent L ycra. They feel like a standard cotton dress sock with a little extra stretch and a wide ribbed pattern. The RFID button just looks like a sporty detail on the outside of each ankle.

Replacement Plus+ socks are available only in $120 10-packs from Blacksocks.

Mr. Liechti said there was a side benefit to the technology: the company has fielded calls from women who say their husbands finally sort their own socks. “This is not something humanity has been waiting for,” Mr. Liechti acknowledged, “but men are little boys; they like to play.”



Q&A: Combining Two Facebook Pages

By J.D. BIERSDORFER

I accidentally created two personal Facebook pages. Is there any way to combine the two accounts so the Friends list in each one gets added together into one big list?

According to Facebook's Help guide, the site “does not currently offer a way to merge two separate accounts.” If you want to do your own sort of manual merge to get photos and other info from one account to the other, Facebook recommends that you download a copy of the information from the account you want to close first. The site has instructions for doing this here.

Downloading your information from Facebook gives you an archive file with your photos, videos and other content you posted to the site with that account, along with your Friends list. Once you get the download data from the account you want to close, and upload it to the one you want to keep, you can delete the unwanted Facebook page (as explained here).

As you resettle onto the single Facebook profile page, you can use the Friends list you downloaded from the deleted account as a guide for sending out new Friend requests to the people you want to keep in your online life. Unlike personal accounts, duplicate Facebook “Pages” representing businesses, brands or organizations can be merged.



Report Cites High Civilian Toll in Pakistan Drone Strikes

By SCOTT SHANE

A new report on targeted killing by C.I.A. drones in Pakistan's tribal area concludes that the strikes have killed more civilians than American officials have acknowledged, alienated Pakistani public opinion and set a dangerous precedent under international law.

The report, by human rights researchers at the Stanford and New York University law schools, urges the United States to “conduct a fundamental re-evaluation of current targeted killing practices” including “short- and long-term costs and benefits.” It also calls on the administration to make public still-secret legal opinions justifying the strikes.

Human rights groups have previously reached similar conclusions, and the report draws heavily on previous reporting, notably by the Bureau for Investigative Journalism in London. But the study is among the most thorough on the subject to date and is based on interviews with people injured by drone-fired missiles, their family members, Pakistani officials, lawyers and journalists.

Research is difficult on the ground in Pakistan's dangerous tribal regions, where militant groups are situated and most drone strikes occur, and the law school teams did not visit them. They did, however, meet in Pakistani cities with 69 people who had been injured in strikes, witnessed strikes or surveillance drones, or had relatives who were witnesses. The report includes excerpts from interviews with a dozen witnesses.

Sarah Knuckey, a veteran human rights investigator who led the N.Y.U. team, said she was particularly struck by the pervasive anxiety that residents of the tribal area described as a result of hearing drones buzzing overhead and knowing that a strike co uld come at any time. She said Pakistani journalists and humanitarian workers who work in the area described the same fear.

She also noted the pattern of second drone strikes after initial strikes, evidently targeting rescuers and relatives responding to a site. One humanitarian organization, which she said the authors agreed not to name for security reasons, told them its policy is to wait at least six hours after a drone strike before visiting the site.

American officials, including President Obama, have strongly defended the drone strikes, arguing that the remotely piloted aircraft are by far the most precise weapon for eliminating terrorists. They have said that both militants and Pakistani officials have exaggerated the number of civilian deaths.

Many experts on Al Qaeda believe that the strikes have hugely weakened the core Qaeda organization in Pakistan, though some believe that the backlash against the strikes has probably drawn some new recruits to the terrorist network. Many military experts support the government's claim that using conventional airstrikes or troops on the ground to attack terrorist compounds would be likely to kill far more civilians than the drones have.

The full report, “Living Under Drones: Death, Injury and Trauma to Civilians from U.S. Drone Practices in Pakistan,” whose main authors are Ms. Knuckey, from N.Y.U., and James Cavallaro and Stephan Sonnenberg, of Stanford, and an accompanying video by the filmmaker Robert Greenwald, can be found here: livingunderdrones.org/.



Monday, September 24, 2012

Going Back to War, Trading a Gun for a Pen

By THOMAS JAMES BRENNAN

The documentary filmmakers Sebastian Junger and Tim Hetherington embedded in Afghanistan with one mission: to document war. The result was the gripping documentary “Restrepo.” For nearly one year, they lived in peril alongside the United States Army. Their project won the Grand Jury Prize at the Sundance Film Festival in 2010 and was nominated for an Academy Award in 2011.

Besides sharing their passion for reporting on conflict, they shared the fact that neither was a veteran.

Civilians have been writing on military affairs for generations, and many have done a superb job. But the question exists, particularly within military circles: Do veterans have an edge over nonveterans when it co mes to covering war?

Jim Michaels, a USA Today journalist, is a Marine veteran. He said military experience had been instrumental in covering military affairs and had allowed him to understand the inner workings.

“There's a gap between the civilian and military populous that's wider than ever,” he said. “Having that experience allows me to bridge that gap.”

The military has a diverse population, he said, and having served has helped him understand and write about it. But he also sees a downside.

“There is a danger to being a veteran,” Mr. Michaels said. “By understanding the military world, you run the risk of oversimplifying it to the public. As a journalist, you must always bring the outsider's perspective.”

Having done multiple tours embedded with the military, Mr. Michaels has been accepted quickly by troops as a veteran. He said he felt simpatico with the troops because he had served.

“It boils down to one thing: Bei ng a veteran gives you a greater breadth of experience to pull from,” he said.

My career is filled with interactions with reporters. None have been veterans. I have to admit to having felt anxious about having those journalists go with me into combat. But those interactions also gave me insight into how they took risks to tell our story, and that inspired me to pursue journalism. Photos, videos and words are often the only consolation for lives risked.

During my deployment to Iraq in 2004, Paul Wood of the BBC embedded with us for Operation Phantom Fury. His professionalism made it easy to bring him in. His friendly demeanor, sarcasm and good cheer are the things I remember best. He made an extra effort to join the Marine team.

During my Afghanistan deployment, I found myself in a much more personal relationship with a photojournalist named Finbarr O'Reilly. He said he had no military training but explained that he had experience covering combat and that he had received training in working in a war zone. He quickly became part of our group.

Mr. O'Reilly recognized that being a civilian made his job covering the military more challenging, but that it in no way made him unqualified.

“You have to do your research in order to understand the forces at play,” he said. “Coming from a military background, you don't need to do as much of it.”

Mr. O'Reilly had never been on a combat mission with troops before his embeds in Afghanistan. Having been under fire in Africa before, Afghanistan was a much different environment, he said.

“Anticipation is always the worst part,” he said. “The first time in combat, you don't know how to respond to fire, where to go or what to do. We eventually learn. Veterans don't have that problem.”

Trusting troops was the hardest part, he said. He had to learn how to mesh with our patrol.

“You don't know how things are going to unfold,” he said. “Once you live it, you realize it's unpredictable, but there is a certain rhythm and you learn how to work in that environment.”

Mr. O'Reilly said that while journalists who have served in the military might have extra insights into military culture, tactics and weaponry, they might be at a disadvantage in other ways.

“Having been in the military, it's too easy to fall into their way of thinking and possibly not report something,” he said, “Nonveterans can sometimes offer a more objective way of thinking.”

He recalled a time in Afghanistan when he photographed dead Taliban stacked in a truck like cords of firewood. The Marine commander at the post did not want those photographs distributed. Mr. O'Reilly then reminded the Marines that he was working in the public's interest, not theirs.

“Veterans may have an issue remembering that at times,” he said.

If Mr. O'Reilly had been a veteran, perhaps we would have felt bonded through the brothe rhood of warriors. But ultimately, it did not matter. We still formed a friendship that continues to this day. Along with Mr. Wood, he taught me that good military reporters tell the difficult stories of war whether they have military experience or not.

In 2004, I saw a Marine shoot to death a prisoner of war. The killing made headlines across the globe. But what the cameras did not capture and what the world did not witness was that moments before he was killed, the same prisoner of war had shot and killed some Marines.

I have felt the emotions of war and can sympathize with the Marine who shot that prisoner. Could I have reported on that event objectively? I sometimes wonder.

As I venture into journalism, I suspect I will not separate myself from my experiences. I may struggle to remain objective, to set aside the core values that Mr. O'Reilly talked of. But in my moments of doubt, I hope I'll remember the legacy of Tim Hetherington and Joao Silva.

In 2011, Mr. Hetherington was killed by an explosion while reporting in Libya. Mr. Silva, a photographer for The New York Times, lost his legs to a roadside bomb in Afghanistan in 2010. Both gave something in order to tell a story.

Their stories remind me that as different as civilians and veterans may be, as journalists, they share the inherent risk of reporting on war - and a fascination with the living, breathing and evolving thing that is the military.

Both civilian journalists and veterans also share the ultimate challenge of conveying the feeling of what war is really like. The famed American World War II correspondent Ernie Pyle once wrote a letter to Gen. Dwight D. Eisenhower lamenting the difficulty of doing that well, even though he spent years on the European front. He was eventually killed in action in the Pacific.

“I've found that no matter how much we talk or write or show pictures, people who have not actually been in war are incapable of h aving any real conception of it,” Mr. Pyle wrote. “I have helped make America conscious of and sympathetic toward (the front-line soldier), but haven't made them feel what he goes through. I believe it's impossible.”

Thomas J. Brennan is a sergeant in the Marine Corps. He served both in Iraq and Afghanistan with the First Battalion, Eighth Marines. Now 27 and still on active duty, he is stationed at Camp Lejeune in North Carolina. He is a member of the Military Order of the Purple Heart. Follow him on Twitter at @thomasjbrennan.



A Retro Boom Box With Modern Guts

By ROY FURCHGOTT

Music docks for the iPhone tap into design sources ranging from architecture to zeppelins, but iHome has borrowed from the iconic music source of the '80s, the boombox.

The iP4 is a 7.5-pound, 18-by-9-by-5-inch package that looks like a prototype rendering of a boombox, all neat rectangles and perfect circles in monochromatic black, pink or blue.

The finish has an up-to-date rubberized feel, slightly soft to the touch, as is found on many mobile phones.

The iP4 has other modern touches within its retro looks - like a five-band graphic equalizer with an LED display, so you can customize the sound to your liking. It also has the SRS TruBass feature, which improves the depth and image of the so und, but you can switch it off if you wish.

The amplifier runs two four-inch woofers and two one-inch tweeters, which crank out a great deal of volume before distorting. The sound quality was quite good, on par with the better docks I've heard, including many that cost more than the $200 of the iP4.

The iP4 comes with a remote that sticks to a compartment magnetically, as well as a FM radio tuner, for some real throwback sound.

Like boomboxes of yore, the iP4 can be plugged in or run from six D batteries. Make sure to balance it on your shoulder for that authentic '80s look.

The dock has a 30-pin connector, which makes it compatible with a wide range of iPhones and iPods, but not the iPhone 5. The 5 can be used with an adapter on a cable, but it will not fit neatly into the dock like prior models.



Q&A: Seeing Time Machine Let Go of the Past

By J.D. BIERSDORFER

My Time Machine program keeps alerting me that it is deleting old backups. Should I be worried about this message?

Time Machine, Apple's built-in backup program in Mac OS X, is intended to be set-it-and-forget-it software once an external hard drive or wireless Time Capsule device is connected to the Mac. Unexpected alerts about old backup files being deleted are part of Time Machine's maintenance routine when the backup drive becomes too full.

Depending on the size of the external drive, the backups Time Machine deletes because of lack of space can be quite old. You can see the date of your oldest backup file by opening the Time Machine preferences - either from the icon in the Mac's top menu bar or by clicking the Systems Preferences icon in the Dock, then clicking the Time Machine icon. The Time Machine preferences screen lists the date of the oldest backup file there, as well as the time of the latest backup session and when the next one is scheduled.

If you would rather not get an alert message when the program needs to delete an old backup file, you can turn off the warning. In the same Time Machine preferences box, click the Options button. On the next screen, remove the check from the box next to “Notify after old backups are deleted” and click the Save button. Apple has more on using Time Machine here.



Saturday, September 22, 2012

App Smart Extra: An Auxiliary Memory

By KIT EATON

This week's App Smart column introduced to you some journal writing apps for iOS and Android. Compared to the fuss of pen and paper, and the fact we tend to carry our smartphones and tablets more or less everywhere these days, these apps are very convenient. A good journal app may actually tempt you to write a diary even if you've never done so before.

The apps I described were fairly simple, mainly dedicated to letting you record daily dairy entries such as text and images. As such they're the digital equivalent of a paper diary, with the added benefit that you can append things like mood icons and colors and even audio recordings.

But if you're a serious journal keeper, you may find your needs are better served by an app like Evernote (free on iOS, Android, Windows Phone 7 and Blackberry). Technically this sophisticated app is much more than a journal app, because you can use it as a kind of digital scrap book to store ideas, images, files and even scanned documents in an organized way. It even syncs between your mobile devices and your computer. But you can also bypass these complex features, and use the app's powerful text-editing tools to write short note entries that you can organize as a journalâ€"it can even automatically date-stamp each one for you. If you use a journal to track ideas and events at work, this might suit you.

Meanwhile if you're more the type of person who spends their life online, then the $2.99 iOS app Momento may be right up your street. At heart it's a journalling app much like many others, although it seems to have had more time devoted to making it easy on the eye. But its secret super power goes beyond the standard text-and-photo jo urnal entry. It can collate your online activity from sites like Twitter, Flickr, Instagram and Facebook and append them to each day's entry. As such it forms a kind of long-term storage box for your casual interactions on these social networks.



Friday, September 21, 2012

A Letter to My Friend Glen Doherty

By BRANDON WEBB

Glen A. Doherty, a security contractor and former member of the Navy SEALs, was killed in Libya on Sept. 12, 2012, while defending the American Mission in Benghazi, Libya. During a memorial service for Mr. Doherty and the three other Americans killed in the attack - the Ambassador J. Christopher Stevens, Tyrone S. Woods and Sean Smith - President  Obama said of Mr. Doherty: “He believed that his life he could make a difference, a calling that he fulfilled as a Navy SEAL…in Benghazi, as he tended to others, he laid down his life, loyal as always, protecting his friends.”

Mr. Doherty's best friend and former SEAL Team 3 comrade, Brandon Webb, has written a goodbye letter that we are publishing in full. -At War

Glen,

I still can't believe you punched out early on me, but glad to hear from the guys that you fought like a heroâ€"no surprise there.

You should know, your efforts resulted in the rescue of over 20 Department of State personnel. They are alive today because of yours and Ty's heroic action.

I know you hate funerals as much as I do but, the service in Winchester was humbling and inspiring. The people of Boston are amazing. I had to choke back the tears as me and the boys rolled through town, and thousands of people lined the streets to honor a hero and our friend and teammate. Seeing American citizens united around a hero, if only for a brief moment, restored my faith in humanity and that there's other things more important in life than killing each other.

Your family is and was amazing. Their poise, patience and the dignity they displayed was incredible to witness. Your mom, Barbara, stood by stoically for hours to ensure she greeted everyone who came to pay their respects. She was an inspiration to everyone who watched. Seeing your dad, his sadness and how proud he was of you, made me give him a big hug, and reminded me to work harder at patching things up with my own father.

Greg delivered one of the best talks I've ever heard under the most difficult of situations. What an amazing brother; I hope to get to know him better. His speech made me reflect on my own life choices and how important our relationship with friends and family are. I'm going to work harder at embracing my friends and family the way you always did.

Katie gave such an awesome toast at the wake with all the Bub lessons to live by, I smirked secretly to myself knowing that I've heard them all before and will never forget. “Drive it like it's stolen!” and “Kids don't need store-bought toys, get them outdoors!” and all the rest.

Your nephews are amazing and so well-behaved. Great parents of course. F.Y.I ., I told them I'd take them flying when they come out west. They were beaming when I described all the crazy flying adventures me and their uncle went on. I told them how you and I would fly with my own kids and take turns letting them sit on our laps to get a few minutes at the controls. I'll do it up right and let them each have a go at the controls.

Sean has been steadfast in his support role and has handled everything thrown at him. Helping him this last week really showed me why he was such a close friend of yours. He's solid, and I look forward to his friendship for years to come. You chose well having him execute your will, he's solid.

We are all dedicated, as you explicitly indicated to us all, to throw you the biggest eff-ing party we can, and to celebrate your life as well as our own. Done deal; Sean and I are on it.

Most of SEAL Team 3 GOLF platoon showed up in Boston. It was great to see how guys like Tommy B. just made stuff happen, no matter what was needed. Things just got handled like men of action handle them, no questions asked and no instructions needed - just get it done in true SEAL fashion.

One by one the Tridents were firmly pounded into to the mahogany as the guys paid their respect. Mike and I handed the plank to your mom, choked back tears, and kissed her on the cheek. We both told her how much you'll be missed by us all.

Afterwards, the Team Guys, Elf, Steve, Sean and others tipped a few back in your honor. In good Irish fashion we drank whiskey from Sean's “What Jesus Wouldn't Do” flask, hugged each other like brothers and said goodbye, each in our own way.

We are planning the yearly surf trip to Baja in your memory. We share Steve Jobs's philosophy on religion and tolerance, but if you can arrange it, please talk to whomever and fire up a good south swell for me and the boys.

My kids will miss their Uncle Glen. I told them it's O.K. to cry (we all had a good one togethe r) and to be sad but not for too long. You wouldn't want that. They will grow older, and like the rest of us, and be better human beings for having known you.

You definitely lived up to the words of Hunter S. Thompson:

“Life should not be a journey to the grave with the intention of arriving safely in a pretty and well-preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming “Wow! What a ride!”

When I skid in broadside in a cloud of smoke myself I'll expect to see your smiling face handing me a cold beer.

See you on the other side, brother. You are missed by many.

-B.W.

Brandon Webb is a formerNavy SEAL, author of a memoir, “The Red Circle,” and editor-in-chief of SOFREP (Special Operations Forces Report). He served with his best friend, Glen Doherty, at SEAL Team 3, where they were sniper students together. Outside They had just completed a book together, â €œNavy SEAL Sniper,” which is due out in January.



Fixing the Passbook Connection in iOS 6

By ROY FURCHGOTT

The new Apple software upgrades have resulted in some strange glitches â€" in my case many of my mail settings spontaneously changed so I couldn't get or send e-mail.

But a problem that seems more common appears when trying to start Passbook, the new iOS 6 rewards card and ticket management program. Here is how to fix it.

Passbook, if you are unfamiliar, is intended store compatible rewards cards and tickets, so when you go to an airport, your boarding pass appears as a scanable bar code on your phone, or when you make a purchase at an allied store, your discount card bar code automatically shows on the screen for scanning.

For it to work, you need to download the compatible apps, from comp anies like Starbucks, Walgreens and American Airlines. When you first open Passbook, there is a button that will take you to a special app store for Passbook compatible apps.

The problem for many people is they get a message that reads “Cannot connect to the iTunes Store.”

I thought I was blocked by heavy traffic, but no, there is a glitch. Here is the fix:

Go to settings, and tap on “General,” scroll down and tap on “Date & Time.”

If it is on “Set Automatically,” turn that off. When “Set Date & Time” appears below, tap it. Set the date ahead one year, to 2013.

Then double tap the home button on the face of the phone and open Passbook again. Press the apps button and it should work.

Then go back into settings, find your way back to “Date & Time,” and return the setting to automatic.

I don't know why it works, but it does.



Q&A: Converting Paper to Digital Files

By J.D. BIERSDORFER

What's the best way to convert a box of old newspaper and magazine clippings to digital files, doing it myself and without spending a lot of money?

If the ultimate goal is to convert piles of paper into legible PDF files for electronic archiving and future reference, you can get the job done with a relatively inexpensive all-in-one printer that can also scan documents. These multifunction printers usually cost around $100 to $150. But if you want a machine with more functions or features designed just for document scanning, or optical character recognition software that converts the printed image into text that can be edited, you usually pay more.

These all-in-one printers include software for scanning, and the software can have a setting for scanning documents as well as photos. Several Hewlett-Packard multifunction printers, for example, have a document-scanning option that saves the digitized results as PDF files, which take up considerably less cabinet space than a stack of clippings. Desktop programs like Evernote, which also has versions for several mobile platforms, organize digitized documents and can also be helpful for keeping track of the converted clippings.

If you prefer a more flexible option than buying a multifunction printer or portable scanner - and have a tablet or smartphone - most app stores have some sort of scanning app that uses the device's camera to capture an image of a document. Quality may vary, but you can find scanning apps for less than $10, including Scanner Pro for iOS devices, DocScanner for iOS and Android and Document Scanner for Android.



Thursday, September 20, 2012

Syria\'s Dark Horses, With Lathes: Makeshift Arms Production in Aleppo Governorate, Part II

By C. J. CHIVERS

On Wednesday, At War dove deeper into the underground industry in one part of Syria that this year has been producing improvised weapons for fighting groups seeking the overthrow of President Bashar al-Assad. That post focused on a machine-gun turrets and an artillery piece, known as Dadool, both of which were designed and made in Tal Rifaat, a small city north of Aleppo.

This arms production suggests a mix of determination and a scarce supply of powerful weapons, as people do not naturally engage in making weapons when they are otherwise available. Today we continue the line of reporting, examining local mortar and rocket production, and then discuss the messages impli cit in this endeavor.

Mustafa's Mortars and Ammunition

Dadool was an example of a complicated weapon, both to manufacture and to fire. A simpler solution has come from the same collective of workshops, evident in the makeshift mortar at the top of this post, and again, below.

The photograph shows a shorter pipe mounted on a basic metal frame that can be adjusted for elevation through the frame's front leg. Mustafa, one of the men who made this weapon, said he had a few others like it and that his weapons had been used in the battle for Azaz, in which the antigovernment fighters drove away the army earlier this summer. (Like Badr in the first post, Mustafa asked that his surname be withheld on security grounds.)

Don't think of this as a mortar you might see in traditional military use. It's designed to be fired by line of sight. Even a cursory examination shows that this weapon has a relatively short range, and certainly shorter than Dadool's; the li ghtweight frame and the absence of a baseplate to absorb and distribute the energy of a round being fired make that clear. For those who follow this blog or makeshift indirect fire weapons generally, the specimen fits squarely into guerrilla and insurgent convention. Design points here will echo others seen elsewhere, including some of the simple rocket launchers covered in a previous post from Libya last year.

But once again, what is most interesting here is not the mortar tube or its frame. It is the ammunition. After he arrived by pickup truck to display his tube, Mustafa produced two different samples of the rounds the mortar fires. And Badr, who was also present, displayed yet another. One of them is shown below.

These munitions smack of ambition. Modern mortar rounds are typically propelled through a design that would not be easy to replicate in a shop. In the common factory-grade design, a small initiating charge is contained in the round's tail boom, betw een the fins, in the stem extending to the explosive shell. This small charge, as it burns at near-explosive speeds, vents through a series of holes, and the resulting heat and expanding gas force the round up and out the barrel. That said, the small initiating charge, relative to a round's overall weight, is sufficient for only the shortest ranges. Factory-made mortar rounds thus have an added feature that extend their uses beyond the immediate line of sight. They usually come with incremental charges attached to the tail, in small bags or small plastic doughnut-like sleeves. These are ignited by the flash of the initiating charge. They push the round out at greater speeds, to greater range.

Watch the video below, and you'll see two more mortar rounds, including one with the radial holes in the shaft of the round.

Like the scored rings on the 62-millimeter projectiles fired by Dadool, intended to give those projectiles in-flight spin, the details in these mortar rounds suggest that those behind this ammunition have studied weapons closely, and have tried to mimic details on munitions produced by modern factories. But there is something much deeper, and it is evident in the photograph below. The image shows to fin assemblies (absent the initiating charge) for the mortars assembled in Tal Rifaat.

Like the fuze body for Dadool's projectiles, these fins and stems were made by aluminum casting, then refined by basic machining. If they look a little rough, so be it. They appear well-conceived for short-range work, and in any event dressing up a product that is going to be exploded not long after you make it is hardly necessary. What's interesting here is that these components suggest extensive social engagement. This is because products like these are not the work of one man, or even one shop. All manner of tradesmen are collaborating here. Mustafa said as much, indirectly. It had recently been difficult to produce mortar rounds, he said, because the metal shop that did the aluminum casting for the final assembly is in Aleppo, and the ongoing battle there had disrupted the shop's production.

Put in the language of business, this wartime industry has a scattered supply chain, and one of the subcontractors was, because of local circumstances, unable to manufacture and ship one of the final products' parts. A quick tactical mind might say that this is a result of the Syrian military's action, underscoring the utility and a short-term success in the government's campaign in the Aleppo governorate, which has certainly been disruptive.

Back up and another picture emerges. The larger lesson might be that what the government's action achieved this year has been the opposite of what the government desired. Rather than breaking a relatively weak and almost unarmed opposition, it has fueled the creation of a complex and collaborative arms-production sector â€" in the very neighborhoods where the gov ernment hoped the uprisings would be quelled. The weapons described thus far make that point all but self-evident.

Ahmed Turki's Rockets

The last weapon for our purposes here is, like the improvised explosive devices that have become common to the conflict in Syria, a weapon already deeply entwined in the region's martial history: the makeshift rocket. Whatever label you prefer for the various antigovernment groups in the Middle East â€" guerrillas, insurgents, terrorists, revolutionaries â€" many of the groups, no matter their nationality or sect, have used locally made rockets and rocket launchers in their campaigns. It was an easy prediction that such weapons would turn up in Syria, as they have.

In Tal Rifaat, much of their production is under the hand of Ahmed Turki, a sort of jack-of-all-trades (Mr. Turki is also adept at bringing Internet to buildings without service in rebel-held areas) who has organized several tradesmen into a scattered manufact uring pipeline. Mr. Turki and his friends said that through August he had made more than 200 rockets in more than a half dozen shapes and sizes.

There is more to this type of project than might appear. In addition to making the explosives for rocket warheads, the rebels also manufacture the propellant that sends the weapons into flight. This is an entirely separate process. And when it all has been brought together in the shape of a rocket, Mr. Turki leads firing tests to try to assess the rocket's reliability, range and trajectory.

Mr. Turki's first rockets â€" the prototypes â€" were just less than 16 inches long. One of the discarded early specimens is above. His latest are nearly 7 feet long. The range of his most successful have reached, he said, up to three kilometers. These days his tests are fairly easy to organize; he simply sets the rockets up and fires them. But he began the tests about eight months ago, before the Free Syrian Army controlled any terri tory. Then any practice or experimental shots were dangerous, requiring rockets to be moved through territory that was patrolled or watched over by the army and loyalist militias. His videos from that time show rockets being fired quickly, and then a scramble by the testers to retrieve the rails and disperse before the army could react. The video below shows one such test, complete with a rocket that did not appear to fire, at last launched, and then, amid the group's jubilation, the realization that they best collect their launch rail quickly and flee.

The video shows that the project has had to overcome technical difficulties as well as security risks. Mr. Turki gave two other examples.

On one occasion, a propellant test near the Turkish border, the testers pointed their prototype toward Turkey. Their charge that day included what they thought was a small amount of propellant that would push the projectile perhaps 500 yards. The rocket roared off with a violent whoosh, and sailed into Turkey, he said. (It had no explosive warhead, and Mr. Turki said they searched the other side of the border and never found it.)

On another occasion, Mr. Turki and a group of other arms makers were trying out a new rocket in an olive grove. Firing rockets is a tricky business. The first moment of the propellant's burn is essential, as it must take the rocket from a standstill and lift it to flight. If there is inadequate propulsion initially, the rocket can lift hesitatingly, which is potentially dangerous, because the weapon can lose its heading, or worse, skip off the ground or be deflected by an obstacle. And if the propellant then ignites at a faster rate, the weapon, already misdirected, can zoom off on an unintended heading. This is what happened on this day, Mr. Turki said. The rocket skipped out a short distance, struck the soil, and spun around just as the propellant's burn accelerated. It then rushed at the testers, low to ground, na rrowly missing one man's head as he ran away. The man was smoking a cigarette. Mr. Turki remembers his distressed question after it narrowly missed. “Is it a heat seeker?”

What the Weapons Say

Mr. Turki is hardly the only man who has organized the manufacture of such weapons, and Tal Rifaat is not the only locale where they are made either. There are many examples. A recently posted video shows another fighting group with a five-rail improvised rocket launcher (though only four rockets were fired in this sequence). And there is this video of a larger rocket on a single rail. Or this weapon, apparently roughly modeled after a recoilless gun. Or this of a modular zip gun that can fire, albeit slowly, and with nothing that could be described as aiming, various rifle and pistol rounds, or a shotgun shell.

Now look beyond these battlefield curiosities for what they are really trying to tell you. This trade is important for many reasons. Having fielded ar ms that borrow from the work of Palestinians, Iraqis, Libyans or Lebanese fighters for Hezbollah, it suggests the busy cross-pollination of Middle Eastern insurgencies and uprisings. But this martial craftsmanship also speaks to something larger than regional tides. An important element is local and national. When tradesmen and businessmen organize to the degree that Syrian antigovernment fighters have organized, they indicate the depth of popular anger and the extent of a population's commitment to the fighters' cause.

And that leads back to one of this blog's regular points. It's quite easy, when gazing upon such weapons, to miss the point of their existence. As interesting as these are, makeshift rockets and mortars do not win wars. Nor do zip guns, or even zip guns in modular form. These weapons are likely transitional. They mark a phase. If the day comes when Syrians storm the country's presidential suite, most of the fighters won't be carrying homemade firearms, just as they won't be carrying pitchforks and rakes. They will be carrying assault rifles, machine guns and rocket-propelled grenades. What the makeshift weapons really speak to is the degree of organized commitment of many people seeking to topple the current government in Damascus.

Why? Because the manufacture of the weapons shown in this post is a dangerous and difficult craft. In ordinary times, ordinary men would not come together for this kind of project. It defies good sense to brew explosives from industrial or agricultural precursors, much less to assemble remote detonation systems on your work bench or in your home, or to pack pipe bombs and fuzes that you and your neighbors will fire through a steel cylinder at positions occupied by a conventional army. Even testing these weapons carries risks, as evident not just in Mr. Turki's account of the errant rocket's boomerang course but in Badr's 20-meter long lanyard.

What's more, the physical risks are on ly part of the obstacle to this kind of underground industry taking shape. The social barriers are significant, too. To reach this point, many tradesmen have to set aside time and energy and form their own intellectual and material collective. And so the technical merits of these weapons, and their origins, point to the human side. Like the cartoon below, the very existence and aspiring complexity of these weapons all but announce that many people stand behind the fighters. This is an insurgency that has matured.

Where this heads is not fully clear. But one reasonable worry â€" shared by Syrians and others in the region â€" is that once such weapons-manufacturing skills become widespread in a society, these weapons can continue to appear for generations, and can be used in ways beyond their initial intended purpose. Arms production, like arms distribution, can be a slippery and very dangerous slope.

Next we'll look at an example of improvised weapons used by loya lists, who, as they lose ground and standing, seem to have begun putting their workshops to martial service, too.

Follow C.J. Chivers on Facebook, on Twitter at @cjchivers or on his personal blog, cjchivers.com, where many posts from At War are supplemented with more photographs and further information.



A Recording Studio That Fits in a Pocket

By ROY FURCHGOTT

The iPhone is capable of making remarkably good recordings, but its built-in microphone is not. One solution is the Mikey Digital, from Blue Microphones.

As the name implies, the Mikey is a digital microphone that attaches to an iPhone or iPad to add much higher recording quality. As some users have noted online, Mikey Digital will not work with an iPod Touch; that device requires Mikey for iPod, which is no longer made but can be found online.

The technical elements of the microphone are two pressure gradient condensers, a design that captures extra detail. A cardioid microphone, it captures sound in a vaguely heart-shaped pattern that picks up most of the sound from the front, and some from the sides.

The microphone has three gain settings - automatic, low and high. Automatic is for things like lectures, which have quiet passages for which the microphone can adjust; quiet is for distant sounds, like bird calls; and the loud setting will keep the sound from overloading at concerts. Three indicator lights flash red if the microphone is overloading.

The Mikey, which lists for $100, also has a 3.5-millimeter input so a midi instrument or guitar can be plugged in. This accommodates a higher quality recording, in stereo, but an instrument and voice cannot be recorded at the same time. A multitrack recording app, like Garage Band or the free app Jammit, is needed to mix instruments and vocals.

If there is one quibble from a test, it is that the microphone may be a little too sensitive. If I adjust my grip on the phone while recording, that comes through loud and clear. Also, recording outdoors, a breeze sounds like an explosion.



A Box of Crayons for the iPad

By WARREN BUCKLEITNER

DigiTools is a set of physical coloring tools for the iPad that includes 3-D glasses and three apps. It is an effort by Crayola to bring the crayon's waxlike simplicity to touch-screen coloring, and a second chance to gain some needed credibility in digital creativity, after the poorly regarded iMarker.

The business strategy behind DigiTools has become common - offer a free teaser app that will not work unless you visit a toy store and buy a physical product. In this case, it is a set of tools for $20, scheduled to be in stores in two weeks.

From an iPad's point of view, each of the eight tools has a unique fingerprint provided by a set of capacitive feet. That is how it knows the difference between the Airbrush, a Sticker Stamp or the forklike Digital 3-D Stylus, which lets you doodle in 3-D, providing you're wearing the special glasses included with the kit. As with any standard capacitive tablet stylus, a tiny electrical charge is transferred from your skin to the screen, so no batteries are required.



Tip of the Week: Managing Hefty iPad Apps

By J.D. BIERSDORFER

Want to see which apps on your iPad are hogging too much space, and then throw a few off the tablet to make room for more? On the Home screen, tap the Settings icon and then tap General on the Settings screen. On the General screen, tap Usage to see a list of the iPad's apps and the space each one uses. To delete an app right there, tap its name in the list and tap Delete App on the next screen.



Wednesday, September 19, 2012

Extra Protection for Weekend Warriors

By GREGORY SCHMIDT

Pelican Products has long been known for making durable cases for military and industrial fields. Seeking to reach a wider audience of consumers, the company recently began offering a new line of portable protection for laptops, tablets and smartphones.

The new line, Pelican ProGear, includes backpacks, hard cases and micro cases. The best in the line, the $300 Urban Elite Laptop Backpack, has a built-in rigid case that can accommodate a 15” laptop, or a 17” MacBook. The case is shockproof and waterproof and has a pressure valve that prevents a vacuum lock.

I had no worries about the safety of my laptop when I took it on a recent flight to Orlando, Fla. At first, I noticed the laptop knockin g softly against the inside of the case when I walked, so I added some padding provided by Pelican, and it held the laptop firmly in place.

But the extra protection comes with a tradeoff. The backpack is heavy, weighing eight pounds when empty. When it wasn't strapped to my back, I was wishing it had wheels to make it easier to lug. And it's quite big, so don't expect to stow it under the seat in front of you. It won't fit.

But even when full, the backpack was comfortable to wear. It has an ergonomic design and extra padding for your back. The exterior is made of ballistic nylon, and it has adjustable compression straps to hold contents tight. And there are plenty of pockets, which I find crucial for a good backpack. I hate digging for keys or change at the bottom of a backpack.

Because of its weight and bulk, the Urban Elite is not really a good fit for the casual or business traveler. Its audience is still pretty niche: weekend warriors and other adventur ers who need to travel with their electronics.



Q&A: Customize Folders in Windows 7

By J.D. BIERSDORFER

In Windows 7, when I arrange a folder the way I like it with Details view, is there a way to make all my other folders automatically look the same way by default?

Windows 7 offers a way to save personalized folder settings as a default for all your other folders of the same type. So, those designated as “Pictures” folders will all use the same settings and so forth.

Windows 7 has five different folder types: General items, Documents, Pictures, Videos and Music. These folder types show certain information about the files inside, like “Album” for a Music folder or “Date modified” for a Documents folder. To see or change a folder's type, right-click on it and select Properties. In the Properties box, click the Customize tab. Under “Optimize this folder for,” use the drop-down menu to select the folder type you want to use and click O.K.

When you have selected the type of folder you want to use, open the folder and select the View (Details, in this case) from the “Change your view” menu at the top of the folder window. You can rearrange the columns of information within a folder window (like Name, Size, Type and so on) by clicking on a column header and dragging it to a new position.

You can remove column categories by right-clicking on a column header and removing the checkbox next to a column name in the list. If you want to add additional information to your columns, (like “Date created”) right click a column header, select More from the drop-down menu and turn on the checkboxes next to the columns you want to display. Clicking on a column header sorts the folder items in that order and clicking the header again will reverse-sort the list.

When you are satisfied with the folder's look, go to the Organize menu in the folder's window and select “Folder and search options.” In the folder's Options box, select the View tab, click the “Apply to folders” button and hit the O.K. button. Your other folders of the same type should now look like the folder you just customized. Microsoft has more information here.



Syria\'s Dark Horses, With Lathes: Makeshift Arms Production in Aleppo Governorate, Part I

By C. J. CHIVERS

There are many indicators of the stubborn determination and evolving organization of the fighting groups in Syria seeking to unseat President Bashar al-Assad. One of them is this: the development of local arms-producing industries in Syrian cities and the countryside. In a war in which the antigovernment fighters have sought outside support and been disappointed by what has been offered, especially from the West, the society that produced the fighters has also undertaken the production of matériel for guerrilla war, a social project of such a scale that it has contributed to the armed opposition's momentum and confidence this year. The progression is both intriguing and rel evant to those seeking to understand the Free Syrian Army, as the loosely organized antigovernment fighters are called. This is not just for the view that local production provides of latter-day warfare with do-it-yourself arms. It offers insights into something else - the social forces within an uprising that is reordering the Middle East.

At War will highlight samples of the work of arms-producing tradesmen in Tal Rifaat, a small city on the agricultural plain north of Aleppo, doing so both in the interest of illuminating the origins and choices of makeshift weapons and to underline the meaning, promises and risks inherent in a such a collective project. I gained access to several tradesmen and different categories of weapons. Beginning today, At War will examine the industry's evolution and look at two locally made items, and will continue in the next installment with more weapons and a set of conclusions about what they mean.

At first, the rebels' improvised weapons assumed forms well established in the Middle East: Molotov cocktails and roadside bombs. These weapons were seen as the government crackdown intensified last year, but initially had little effect against the Syrian Army and security forces. With time these two types of homegrown weapons served to punish the Syrian armored columns that for months had roamed the roads unchallenged; by this spring, the rebels' roadside bombs had become so prevalent and effective that they had forced the Syrian Army to all but cease operating in entire stretches of its own country, especially along the country's northern border. These weapons changed the nature and direction of the war.

As bombs made the roads impassable (or at least not passable without a draining and grisly price), the Syrian military recalibrated tactically, sending helicopters and eventually jets to attack where its ground troops no longer ventured. As the government escalated, the rebels and their supporters were not idle. They were busy expanding their arms-shop handiwork. A few writers have taken note. Eliot Higgins, the man behind the busy Brown Moses Blog, wrote an early summary on Foreign Policy magazine's Web site, in which he identified trends (including the appearance of gun trucks) and a few unusual items (like a locally made flame-thrower) and noted, accurately, that until that point “DIY weapons have been less of a feature in Syria than in the Libyan civil war.”

At War and The New York Times covered closely the arms manufacturing associated with Libya's uprising. While it is indisputably true that antigovernment fighters in Libya were faster and more prolific in rolling out gun trucks and garage-grade rocket launchers, this was partly the case because these fighters, aided by NATO air cover, held ground and captured heavy machine guns and ground-to-ground rockets sooner in their war, and were able to organize workshops to repurpose captured weapons with less risk. There is another factor, too: In Syria, the workshops and the men behind them spent much of their early time learning a lethal craft that Libyans pursued at a comparatively tiny scale: bomb-making. By this summer, the Syrian trade in brewing crude explosives and wiring circuits that can be detonated remotely had matured into something formidable. Design energy and labor were freed for other work. Mr. Higgins was looking in the right place - toward the development of more workshop-made arms.

Late last month, The Times made a first effort to describe several means by which Syrian fighting groups are obtaining arms, including via smuggling and organic manufacture. This complemented a previous look at pricing for standard infantry arms, which helped explain why the underground manufacturing effort had taken root: steep prices for weapons, and intense demand, drove a hunt to find as many sources as possible.

Space limits prevented us from sharing many details. (The picture desk did manage to post an excellent slide show.) This pair of posts will examine more closely four types of weapons. These include a mounted 14.5-millimeter machine gun, a small towed howitzer made entirely by local metalworkers, a homemade mortar and an assortment of ground-to-ground rockets.

The machine-gun mount appeared to borrow heavily from two non-martial implements in common local use â€" a satellite-dish stand and a disc brake for a motorcycle - to field a captured weapon in an useful way. The other three systems, just like the rebels' roadside and truck bombs, were manufactured almost entirely from scratch, with only a few components from traditional munitions or explosives plants.

To Mount a Machine Gun: Borrow From What's Nearby

Begin by looking at the photograph above. It shows a scene common to many recent wars: a pickup truck in service as a mobile machine-gun platform, with the machine gunner (in this case, standing within a pair of black Chuckie-T high-tops) in back, behind a 14.5-millimeter machine gun on a makeshift mount. That man is a defector from the Syrian Army, in which he worked with, among other things, machine guns. All normal so far. Now look more closely. The machine-gun mount has unusual features, evident below.

Is that a bicycle handle with handbrakes attached to the weapon's back end, with cables reaching to the brake? Almost. It's actually a disc brake for a motorcycle, with hand levers for applying the pads to the disc. As adaptations go, this one is both novel and makes good sense. Why would a machine gun need a motorcycle brake, especially when carried around the countryside on a pickup truck that has brakes of its own? The answer has nothing to do with slowing a vehicle's movement. Used in the manner shown above, the repurposed brake serves to control and ultimately arrest the vertical motion of the machine gun, allowing the operator to release the handbrake to adjust the weapon's elevation and then, when on target, to squeeze the brake and hold the weapon steady for firing. Below is a better view of the pads and disc.

Now look back at the base of the machine gun, at the round metal endplate. Midway between the handgrips, on the top of the machine gun, you will spot an L-shaped metal strip. At the top of that strip, below, you'll see someone has drilled a small hole into its top. That hole is threaded. We've highlighted it in red to help it stand out.

What is its purpose? Only in the digital age would you guess it. The hole has been tapped to receive a standard tripod mount for a digital camera, affixed so that the lens points down the barrel's length. Thus installed, the camera is then put on video mode, and the lens zoomed out to the horizon. The camera's LCD screen then serves as a long-range sight - a live video feed allowing the man firing the weapon to observe the path of the tracers relative to an aircraft or distant vehicle much more closely than he otherwise would.

The mount has other features as well â€" including a sheet-metal feed box on its left side, to hold the weapon's belted ammunition. But the tubular pedestal is more interesting. For a long time, many of us had wondered how rebels in recent wars had so quickly designed such pedestals, especially in forms that appear to work quite well. One possible answer came to mind when Bryan Denton and I were atop a building in Aleppo, watching Syrian Air Force helicopters and an L-39 attack jet during a series of rocket runs. We were crouched low on the roof in a neighborhood where many buildings were covered in thickets of satellite dishes. Each dish was mounted on a metal stand similar to those commonly holding vehicle-mounted machine guns. This same pedestal, we realized, was a high-demand part of the local metalworkers' craft. It is a small step from an adjustable satellite dish mount to a mount in which a shooter can traverse and elevate a machine gun while standing in a pickup bed. This is one possible root of this practice.

So how does the entire mount come together? One afternoon last month, the commander of the unit in current possession of this machine gun, Abdul Hakim Yasin, displayed a video file that clearly showed the rounds from this same machine gun striking a Syrian Air Force Mi-8 or Mi-17 helicopter at long range. These impacts would not have been seen otherwise.

The aircraft survived the shooting, though it fled. On one level, the video of this shooting raised obvious questions about how much more damage has been inflicted in Syria'a air force than is known. On another, the entire apparatus for putting into action a captured machine gun underscores an important point: that the antigovernment fighters' makeshift arms industry has gone well beyond merely making do. It has found ways to marry powerful weapons and locally made or recycled devices, and to field weapons that c an influence a complex fight against a conventionally well-equipped foe.

How this happened will set up a larger point, after we examine the other weapons.

Workshop-Grade Artillery

The next weapon system worth examining was briefly covered in The Times. Dubbed by those who made it as “Dadool,” Syrian slang for an overweight, energetic man, it is a 62-millimeter towed howitzer, shown above.

The weapon itself commands attention, and it was obviously the result of a fairly extended design process. The photograph below shows the discarded remains of one prototype â€" evidence that arms like this are not spontaneous creations. There is an extended process behind them.

The current version of the weapon is loaded through its breech, and fires locally made projectiles though a 65-inch-long barrel. Each projectile is roughly the size of a 16-ounce beverage bottle, and has been packed with locally made explosives. As eye-catching as the howitzer is, these shells are more important. They speak to the broader phenomenon required to field such a system. And that is what this is â€" a full system, a weapon and its associated ammunition, assembled by a collective of tradesmen with different skills.

The shells, several of which are shown above, work by a multistep process. Each is built around two sections of pipe, joined by threaded couplings that match snugly to the interior diameter the howitzer's barrel. Inside each pipe is an explosive fill, ideally an insensitive explosive that can handle jarring and swings in temperature. (Badr, the man who made Dadool, said different explosives had been tried inside the shell; the version as of August was urea-based.)

At the forward end of the projectile, metal workers have designed and affixed a cast aluminum fuze body, which is topped with a hollow threaded bolt with a crude striker assembly. This hollowed-out bolt holds a sensitive explosive, placed to initiate the larg er volume of explosives in the pipe when the projectile makes contact with a solid object after being fired.

Another feature is worth pointing to: Each coupling has been scored by a grinder or similar tool. The resulting grooves are intended to impart spin on the projectile as it travels down the barrel, which is not rifled. The spin is meant to stabilize the projectile in flight, preventing yaw, drift or even tumbling. This design touch suggests that the shells' manufacturers possess a more than rudimentary understanding of ballistics, although whether it actually works is anyone's guess.

Three samples of entire projectiles, absent their striker assemblies, can be seen below, left. At right is the striker.

So how does it all work? To fire these rounds, each projectile is seated on an open-ended metal cylinder that fits within the howitzer's breech. This contains propellant removed from shotgun shells, one by one, to fill the empty space. At the opposing en d of each cylinder, which is closed, workers have drilled a narrow hole into which a .22-caliber blank cartridge, of the sort used in a starter pistol at a track meet, is inserted. This is a clever: a blank cartridge, not typically of use in wartime, serving as a primer for an explosive shell. You can see an example below and to the right, in the image of the blank atop the open-ended pipe that holds the shotgun propellant, and then the same cartridge inserted, below.

Once a shell has been slipped into the breech and the heavy steel plate has been slid into place behind it, rotated a few degrees and bolted down tight, the operator is ready to fire Dadool. This is done by pulling a 20-meter-long lanyard that releases a spring-loaded firing pin. The pin strikes the base of the blank cartridge, which flashes and ignites the propellant. The rest happens in the same split second: the propellant's almost instantaneous burn results in a rapid gas expansion that blasts the pro jectile down and out the barrel, toward to its intended target.

To see the weapon test-fired, watch the following video.

Now, let's talk about limits, because a weapon like this has many. For all of the work that went into developing such a weapon, it is not a system that can be fired quickly. Reload times would run into minutes. And as of last month, Dadool in tests had a short range: perhaps two kilometers, according to the man who made it, Badr. What this means is that in a head-to-head fight against an army unit with a reasonably proficient mortar crew, Dadool and its operators would be vulnerable, the more so when you consider the intensity of the muzzle flash visible in the video.

Another detail is worth pulling out: Badr's decision use a 20-meter-long lanyard. Here an unbendable fact remains: weapons of this sort are part of a very dangerous means of waging war. The length of that lanyard tells you that those who designed this weapon want those who u se it to be far away from the weapon when it is fired. The reasons for such precautions are self-evident. The pipe that forms Dadool's barrel might not be able to withstand the heat or pressure of firing, and could rupture. And this pipe will likely only get weaker over time, in part due to the barrel erosion you'd expect from using plumbing-grade pipe in this way.

The primitive point-detonating fuze in each projectile's nose presents yet another concern. Safety features in workshop-grade weapons can be nonexistent, and the nature of this fuze's design could make it prone to mishap when undergoing the rapid acceleration associated with being fired, the jolt of which could force the striker to slip backward and initiate the explosive train. That could rupture Dadool's barrel, too â€" even more dangerously. A 20-meter-long lanyard is a sound idea. Thirty meters might be even better.

Now that you have a sense of some of the weapons, here comes that bucket of cold wa ter. The most important elements of the production of machine-gun turrets and indirect-fire arms are not the turrets or the improvised artillery. The most important element is the underlying phenomenon and what it suggests about Syria today. At War will take that up in more detail in the next post.

Follow C.J. Chivers on Facebook, on Twitter at @cjchivers or on his personal blog, cjchivers.com, where many posts from At War are supplemented with more photographs and further information.



Q&A: Extra Security for Gmail

By J.D. BIERSDORFER

I have read that I should turn on “two-step” authentication for my Gmail account to keep it safe from getting hacked. What is this and what do I do?

Google's two-step verification (authentication) for Gmail users requires both your account password and a numeric code from Google sent to your mobile phone in order to log in. When you sign up for the extra verification step, you can choose to have the mobile code required each time you log in to your account, or just each time you log in from a new computer or device.

So even if someone swipes your Gmail password and tries to log into your account from his or her computer, the required verification code is still sent to your phone, which you hopefully still have in your possession. You can set up two-step verification in the security area of on your Gmail account settings page. Google has setup instructions on its site.



Polaroid Develops a New Instant Camera

By ROY FURCHGOTT

Polaroid's latest move to revive the field of instant photography (and Polaroid itself) is the Z2300 instant digital camera.

Going by ratings on Amazon, the $160 camera seems popular indeed. Suspiciously so â€" with five-star reviews like the one from  “Chomakala,” who wrote: “Camera color (black) is so affluent that, it has made me easy to differentiate it from other cameras. It's wonderful not less than a piece of cake.” Other five-star reviews say: “its' not so biggie,” and “It needs only 2×3 full color prints splotch corroboration.”

Personally, I was not so impressed with the splotch corroboration.

The Z2300 is essentially a digital camera with a printer built in. You take photos, which it stores for you to see on the three-inch LCD screen on the camera's back. When you have a shot you like, you can make a 2- by 3-inch print. Print paper costs $15 for a 30-sheet pack (that's 50 cents per shot), available online and in camera stores, as is the camera itself.

The prints are smudge-proof, tear-resistant and adhesive (if you can peel off the stubborn paper backing). They are also generally low quality. The hand-held photos I took were a tad blurry. The shutter speed must be glacial; even shots in full sunlight were soft unless I steadied the camera on a wall or used a tripod. The prints were a bit washed out, but cool in an “Instagram with a low-fi filter” way.

With a size of roughly 5 by 3 by 1.5 inches, it's not quite pocket-size, nor is it lightweight. The controls are pretty easy to figure out, but there are a lot of them spread around the camera, some on the back, some on the side. It's not elegant.

At this point yo u may be wondering who this camera would appeal to. Testing it at a coffee shop, one woman was very taken with it. “This would be so much fun to use with my granddaughter!” she said. I'd suspect it would also be good for scrapbookers, and the sticky-back photos might make fun party favors.

But I also suspect that the Z2300 works better as a novelty than as an everyday camera unless, of course, you value splotch corroboration.



Tuesday, September 18, 2012

For a Student Veteran, Graduation is the Next Mission

By THOMAS GIBBONS-NEFF

It was the fall of 2011, and I was the quintessential fresh-out-of-the-fleet 23-year-old Marine. I was preparing for Georgetown University's New Student Orientation, my first official re-entry into academia and a day of assemblies and awkward greetings with a bunch of kids who would have been barely teenagers when I was spending my first weeks in Afghanistan.

I found out Matt had died at 10 a.m. that first day of orientation. I was devastated. Matt was my best friend and one of the most outstanding Marines I had ever served with.

I made my way to the bar on campus and ordered two shots of whiskey. One for me and one for Matt. I drank that entire morning, and as I drank I found myself starin g at the new students outside the window bouncing on their way to school and despising them. A mere pane of glass separated me from those students, but yet I felt as if I wasn't human, that I was from some bygone era, and that I had no place among them.

I had become what so many Americans think veterans are like: the lone guy with military backpack, the thousand-yard stare, the student veteran who keeps to himself and glares at the innocence all around him.

This was my first experience as a student veteran. Attending those orientation assemblies obliterated on Jack Daniel's and wallowing in the memories of a dead friend.

To be honest, I don't really know why I went to those assemblies. But at the time I equated my attendance to duty. I had to go. I wasn't going to let another death stop my life. I had attended too many funerals and too many memorial services, and had watched too many of my friends tear themselves apart in guilt. I had been there too many ti mes and I knew that on that first day of school there was only one way to go, and that was forward. I knew that stereotype lay lurking, waiting for me to fall into its grasp.

But I didn't let it take me. I went to the second day of assemblies bleary-eyed and depressed, and I stuck my right hand out and shook those kids' hands and found a way to tell them about Matt. I'm sure they weren't expecting a story about the greatest man they had never met, but they got it anyway. Matt's story is my story, and in many ways all of our stories. I saw it as my duty to succeed, to succeed for Matt, for Josh, for Brandon and for all of those who never came home. So I put my head down, raised my hand in class and got on the dean's list at Georgetown University.

I know this all sounds melodramatic, but aren't most articles about student veterans these days tinged with despair? I feel like it's all I see: the blurbs about the misunderstood tattooed guys in the back of the class st ruggling to fit in. Struggling to relate to their younger classmates.

Is it tough? Yes. It is impossible? Absolutely not. I think my colleagues expect too little of themselves when they return to campus, just as I did that first day in that bar. Too often I hear stories about how ignorant some eighteen year old is. Of course they are. They're eighteen. If they're just learning how to do their own laundry they probably have no clue where Helmand Province is.

That's why it's our duty to explain to them the best way we know how. No one likes to articulate loss and pain, but we live in a society defended by an all-volunteer military, a military that after a decade of conflict can barely relate to the people we swore to defend.

That's why we have to do it. We have to bridge the gap.

It won't be done in Congress or on CNN. It'll be done in the back of the classroom where you'll sit down and explain to some kid what it's like to shoulder a ruck and what it' s like to march for miles, and you'll tell him how it felt when you wrote home to your girlfriend every night as friendly artillery thudded through the dawn, and you'll explain how Afghanistan looks on the other side of that television screen.

So, I ask you, my generation of fellow veterans, to be outgoing. I know, it sounds tough, and it is, but these kids we go to school with are going to be the future leaders of our country along side us, and we're going to have to work with them, not against. We can't sit in the back of the class forever while they commit our children to future conflicts.

Represent yourselves well, and with pride. Don't show disdain for our fellow millennials who thankfully haven't had to experience the horrors that we chose to experience.

Our grandfathers came home from Europe and the Pacific and built highways, raised families and defined our country as we know it today.

Now, I ask that we do the same.

Thomas Gibbons-Neff, a native of Boston, is president of Georgetown University's Student Veterans Association and a former Marine. He served on active duty with the First Battalion, Sixth Marines, from 2007 to 2011 as a rifleman and participated in two deployments to Helmand Province in Afghanistan.